🔗 Share this article ‘I definitely needed a lie-down after that!’ The most gripping episodes of TV of all time The 2003 Spooks episode I Spy Apocalypse This installment starts with the intelligence unit confined during a training exercise about a potential terror incident, monitored by two government representatives. As things progress, it appears that there really has been an attack and a chemical weapon has been unleashed. The suspense builds as reports reveal a catastrophe taking place outside, and gets worse as the boss appears to be infected, and the two Home Office officials attempt to leave, compelling the character played by Matthew Macfadyen to opt for either shooting them or allowing them to leave and endangering the sterile MI5 environment. As this is Spooks, the outcome is expected. Threads from 1984 Threads had minimal funding yet among the scariest shows I have viewed because of the stark reality and grim official statistics. Watched it about a month ago having watched the original; I frequently went to the Sheffield pub from the programme which underscored the actuality and the offhand factual official statements that were transmitted. Remaining completely frightening after three and a half decades. Severance – The We We Are from 2022 The concluding episode of Severance’s debut season has to be right up there as a tense chapter. I was throughout the episode actually sitting tensely, straining every sinew with Dylan to keep his hands on the levers that kept the Innies on overtime, while yelling at the Innies to get their truths out there. The ultimate peak – “she survives!” – was like an eruption. Industry – White Mischief (2024) Episode five of the third series of Industry had my heart racing. I had to pause and get up and depart the area multiple times due to the immense extent of the wanton self-destruction I saw. Rishi Ramdani is in major difficulty professionally and personally – buried in financial obligations to illegal creditors because of his compulsive gambling, assuming hazardous chances with a bet on sterling that might cost his firm millions. So of course, he goes on a gambling spree, uses copious drugs and alcohol and wins, loses, wins, is severely assaulted. Each instance you believe it can’t get any worse, it worsens. There’s hope of redemption as the installment closes but he misses the opening, resulting in dreadful effects in the season finale. Absolutely had to relax following that! The 2007 Peep Show episode Holiday Peep Show itself isn’t necessarily a stressful show. Yet the installment Holiday contains such levels of cringe that it’ll have you standing up for the full show, permeated with worry. It all ramps up once Jeremy and Mark find themselves being compelled to falsify about the canine they accidentally run over and following tries to eliminate it. You then spend the rest of the episode questioning whether it truly can be worse than incineration, and it can be! The West Wing – The Two Cathedrals (2001) Nothing I have seen has been as tense than the first time I watched the second season finale of The West Wing. The episode starts with the aftermath of the death (in a traffic accident) of the president’s private assistant and reaches a crescendo with a crisis in Haiti, and the effects of the withheld information of the president’s MS diagnosis, coupled with verification of his aim to run for another term. Wonderful television. Unsurpassed. Bodyguard – episode one from 2018 The beginning of the UK show Bodyguard, featuring the main character on a train alongside his juvenile boy, is for me one of the most intense episodes ever. He observes a woman in Islamic attire heading to the toilet and senses something is wrong. The explosive disposal specialists are summoned, enter the train, and try to persuade the woman to remove her explosive vest. Anxiety builds to a practically unendurable point, until, indeed, the vest is disarmed. The 2001 Buffy episode The Body Buffy comes into her home to realize her mom has deceased of natural causes, which is the most unusual type of death in this supernatural show. The episode has no background music, a gloomy atmosphere, and we see the episode through the experience of Buffy’s astonishment upon finding her mother. The Sopranos – Made in America from 2007 The concluding moment of the last installment of the show was pants-wettingly tense. And if you viewed it when it first premiered, you – at the start – didn’t understand the cause. Tony’s enemies, real and imagined, had all been defeated. Surely this has the feel of the season one ending? “Recall the minor details.” Yet the atmosphere is strangely foreboding. Almost Twin Peaks levels of terror. The clan sits in an eatery. Meadow parks. Tony gloomily informs Carmela there’s trouble afoot with an additional associate cooperating with the officials. Meadow parks the vehicle. Odd persons arrive at the eatery. Gaze at Tony(?) Meadow is parking. Tony puts a record on the jukebox. Meadow finds a spot. The bell sounds, an individual enters. Can’t be Meadow, she’s still parking. Tony looks up. Don’t stop. It halts. My heart sank about 20 minutes later. The Walking Dead – The Last Day on Earth (2016) I stayed up to watch this episode in the early morning. It was incredibly tense after the buildup of bad guy Negan discovering the characters, savagely teasing his prey and then leaving the victim unknown (ended on a cliffhanger). The first-person perspective of the victim and the muffled sounds – ugh! {We then had to wait for season seven|We then needed to await season